THE HOUSE YOU CARRY

Some friendships are houses. You move in, hang things up, believe it’s permanent. And then one day the lock changes. These poems belong together because they speak from the corridor between loss and inventory. They’re not interested in sentimental grief—they’re interested in the receipts. Linda M. Crate brings the tone of someone boxed up and half-moved-out, still standing on the front step asking why it all got so cold. Kerry Maria writes from the aftermath: long silences, muted phones, the ache of being replaced by nothing in particular. And Evrydiki Tsatsali offers the surreal echo chamber where these memories live on—poems that feel like attics, heavy with boxed-up ghosts and half-familiar sounds. None of these poems shout. They just sit in your chest like an unanswered message. This is the section where memory becomes architecture, and abandonment becomes design.


Featuring:

— Linda M. Crate

— Kerry Maria (@candlelitpoems)

— Evrydiki Tsatsali

Linda M. Crate

Intro to Poems

(for Linda M. Crate)


Every house has a drawer full of things that don’t belong to anyone.

Keys without doors. Cords without plugs.

Receipts for things you didn’t buy. Letters you were told to write.

That’s what these poems are. Not metaphors. Not performances.


They’re the quiet horror of being asked to start over with someone

who already left.

The slow-dawning panic that your history with someone

has been edited without your consent.


These are not break-up poems.

They’re damage reports from a friendship that got rezoned into silence.

A kind of ghost story, written in ink,

filed under “unsent.”

guess i was a fool


feels like i wasted

twenty years

of my life,

feels like this friendship

you said couldn’t end

because i knew too much

and we were such good

friends is coming to an end;

seems the sisterhood i thought

was immortal is mortal

after all—

seems like all you do now

is center your life around a man,

don’t ask me to understand;

i knew some things could shift

and change when you got married

but i didn’t expect you to stop

caring about me and stop loving me—

guess i was a fool for ever

believing you cared.


-


maybe be a better friend


it’s your birthday,

and i’m over here

crying because it feels

like you don’t care

about me;

i know it’s period hormones

but let’s not pretend any

part of this is normal—

asking me to start from

square one after twenty years

of friendship is a huge slap

in the face,

and it feels like you haven’t

been paying attention to me

or my life because what do you

mean you don’t know me?

you want me to be your pen pal,

but i don’t want to write;

you haven’t been communicating

with me for the past few months

at all but somehow now it’s a problem

because you’ve noticed i’m withdrawn?

the reason i don’t speak is entirely

your fault so maybe be a better friend

or you’ll never see me again.


-


a language i understand


i think the reason

you want

letters only is to dodge

accountability,

i think you’ve known

you have been a crappy friend

as of late;

but you don’t want to hear

my voice or see my pain

or have to acknowledge that

you’ve done me harm—

but you have,

and i won’t pretend

that the house isn’t on fire

simply because you’re

uncomfortable looking at the flames;

face the facts and become

a better version of yourself,

just acknowledge the harm

you’ve done and apologize;

move and do better in the future

that’s all i want—

but i won’t spill ink, love,

or time into someone

who can’t or won’t do the right

thing for me because i deserve

energy, love, and time in a language

i understand.


-


becoming a ghost


your letter

is such a profound

act of selfishness,

to cling to

yourself

instead of acknowledging

the pain and harm

you’ve caused me;

to put all this distance

between us because you know

you’ve been a crappy friend—

to act like me

pulling away

is the reason we’re falling apart after

refusing to acknowledge me

for the better part of six months

if not longer,

you didn’t value or cherish me

as you said you always would;

i resent that—

you chose your husband,

left me behind in the dust;

you can’t blame me for becoming

a ghost.


-


it is your fault


if we crash and burn

then we didn’t have

anything worth holding on to,

not going to swim oceans

for people who can’t even

walk through a mud puddle

for me;

i believed you loved me once

but i don’t think you love

me any longer—

i won’t be writing letters

or going back to square one

simply because you don’t

want to acknowledge the

pain and harm that you’ve

caused me,

i’ll just cut ties;

go ghost and forget you

like you forgot me—

& if you wonder why

you can know you only

have yourself to blame,

and it is your fault.

ABOUT THE AUTHOR


Linda M. Crate (she/her) is a Pennsylvanian writer whose poetry, short stories, articles, and reviews have been published in a myriad of magazines both online and in print. She has fifteen published chapbooks, the latest being *not your piñata* (Alien Buddha Publishing, June 2025).

Intro to Two Poems

(for Kerry Maria )

This is the part of the house where you still set two plates even though it’s just you now. One poem holds its breath. The other says it’s fine, it’s totally fine, but still checks if he’s viewed the story. These poems aren’t tragic. They’re just what happens when hope gets bored and starts folding laundry.


It doesn’t strike the way a fist does –

it whispers instead.

Like a moth’s wing brushing past your ear.

Day after day.

Night after night.


You learn to measure your breath

before you speak.

To gather apologies like loose change

in the pockets of your ribs.


They say love should build you up –

but this “love” carves you down.

Peels back your voice

until all that’s left

is a small frightened thing

that lives behind your eyes.


Nobody sees the teeth marks he left in your head –

the way your confidence limps around

like a three-legged dog.

Still wagging its tail for him.


Some wounds don’t bleed out.

They just hollow you out from within.


Another solitary night.

Just me.

The same cup, the same cheap coffee.


The TV always on, belching white noise

to fill the silence.

And the phone sits there on the table,

like a drunk on a barstool,

saying nothing.

Always nothing.


Before you know it,

you’ve been scrolling,

watching,

stalking –

they’re all the same thing –

for hours.


Faces, smiles,

a parade of manufactured bliss:

engagement rings,

pregnancy announcements,

public displays of affection.

They’ve got it, you see?

The other half.

That soft landing.


A warm body next to theirs

when the lights go out.


You evade sleep,

wondering why you don’t deserve the same.

The bed,

a vast empty ocean,

and the waves just keep coming.


A reminder.

A dull, persistent ache in your chest.

It’s not envy.

Not really.

It’s just…

the knowing.


The cold, hard fact

that some people don’t get the happy ending

they always dreamed of.

They just watch the parade pass by.

From the sidelines.


Alone.

Always alone.

Eurydice Tsatsali (@evryd1ki)

Intro to Two Poems

(for Eurydice Tsatsali / @evryd1ki)

These poems are basement-level. No windows. Just brick, damp air, and the sound of someone trying not to cry too loudly. They don’t want to be read. They want to be left alone. But if you do read them, you’ll realise the house has a voice. And it’s been whispering your name since page one.

Denial


How?

Decay.

When?

Foreseen.

Where?

Illuminated signs falling.

What?

Blinded.

What?

The gift.

Where?

Blinded.

When?

In the pain of others.

How?

Shaking.

What?

The earth can’t hold me.

Where?

Alone.

When?

Till you came.

How?

Alone.

What?

Until.

Where?

You.

When?

Left.

How?



Für Melische

I love to love

Been born a lover

To remain a loner

Deep eyes

Searching

Hungry hands

Aching

Heart yearning

For times I do not exist.

Had to be raised on a battlefield

To harvest love

The darkness

Wasn’t nurturing

And the light

wasn’t our God

The lover’s power lies

In combining the above—