Some friendships are houses. You move in, hang things up, believe it’s permanent. And then one day the lock changes. These poems belong together because they speak from the corridor between loss and inventory. They’re not interested in sentimental grief—they’re interested in the receipts. Linda M. Crate brings the tone of someone boxed up and half-moved-out, still standing on the front step asking why it all got so cold. Kerry Maria writes from the aftermath: long silences, muted phones, the ache of being replaced by nothing in particular. And Evrydiki Tsatsali offers the surreal echo chamber where these memories live on—poems that feel like attics, heavy with boxed-up ghosts and half-familiar sounds. None of these poems shout. They just sit in your chest like an unanswered message. This is the section where memory becomes architecture, and abandonment becomes design.
Featuring:
— Linda M. Crate
— Kerry Maria (@candlelitpoems)
— Evrydiki Tsatsali
Intro to Poems
(for Linda M. Crate)
Every house has a drawer full of things that don’t belong to anyone.
Keys without doors. Cords without plugs.
Receipts for things you didn’t buy. Letters you were told to write.
That’s what these poems are. Not metaphors. Not performances.
They’re the quiet horror of being asked to start over with someone
who already left.
The slow-dawning panic that your history with someone
has been edited without your consent.
These are not break-up poems.
They’re damage reports from a friendship that got rezoned into silence.
A kind of ghost story, written in ink,
filed under “unsent.”
guess i was a fool
feels like i wasted
twenty years
of my life,
feels like this friendship
you said couldn’t end
because i knew too much
and we were such good
friends is coming to an end;
seems the sisterhood i thought
was immortal is mortal
after all—
seems like all you do now
is center your life around a man,
don’t ask me to understand;
i knew some things could shift
and change when you got married
but i didn’t expect you to stop
caring about me and stop loving me—
guess i was a fool for ever
believing you cared.
-
maybe be a better friend
it’s your birthday,
and i’m over here
crying because it feels
like you don’t care
about me;
i know it’s period hormones
but let’s not pretend any
part of this is normal—
asking me to start from
square one after twenty years
of friendship is a huge slap
in the face,
and it feels like you haven’t
been paying attention to me
or my life because what do you
mean you don’t know me?
you want me to be your pen pal,
but i don’t want to write;
you haven’t been communicating
with me for the past few months
at all but somehow now it’s a problem
because you’ve noticed i’m withdrawn?
the reason i don’t speak is entirely
your fault so maybe be a better friend
or you’ll never see me again.
-
a language i understand
i think the reason
you want
letters only is to dodge
accountability,
i think you’ve known
you have been a crappy friend
as of late;
but you don’t want to hear
my voice or see my pain
or have to acknowledge that
you’ve done me harm—
but you have,
and i won’t pretend
that the house isn’t on fire
simply because you’re
uncomfortable looking at the flames;
face the facts and become
a better version of yourself,
just acknowledge the harm
you’ve done and apologize;
move and do better in the future
that’s all i want—
but i won’t spill ink, love,
or time into someone
who can’t or won’t do the right
thing for me because i deserve
energy, love, and time in a language
i understand.
-
becoming a ghost
your letter
is such a profound
act of selfishness,
to cling to
yourself
instead of acknowledging
the pain and harm
you’ve caused me;
to put all this distance
between us because you know
you’ve been a crappy friend—
to act like me
pulling away
is the reason we’re falling apart after
refusing to acknowledge me
for the better part of six months
if not longer,
you didn’t value or cherish me
as you said you always would;
i resent that—
you chose your husband,
left me behind in the dust;
you can’t blame me for becoming
a ghost.
-
it is your fault
if we crash and burn
then we didn’t have
anything worth holding on to,
not going to swim oceans
for people who can’t even
walk through a mud puddle
for me;
i believed you loved me once
but i don’t think you love
me any longer—
i won’t be writing letters
or going back to square one
simply because you don’t
want to acknowledge the
pain and harm that you’ve
caused me,
i’ll just cut ties;
go ghost and forget you
like you forgot me—
& if you wonder why
you can know you only
have yourself to blame,
and it is your fault.
ABOUT THE AUTHOR
Linda M. Crate (she/her) is a Pennsylvanian writer whose poetry, short stories, articles, and reviews have been published in a myriad of magazines both online and in print. She has fifteen published chapbooks, the latest being *not your piñata* (Alien Buddha Publishing, June 2025).
Kerry Maria (@candlelitpoems) –
Intro to Two Poems
(for Kerry Maria )
This is the part of the house where you still set two plates even though it’s just you now. One poem holds its breath. The other says it’s fine, it’s totally fine, but still checks if he’s viewed the story. These poems aren’t tragic. They’re just what happens when hope gets bored and starts folding laundry.
It doesn’t strike the way a fist does –
it whispers instead.
Like a moth’s wing brushing past your ear.
Day after day.
Night after night.
You learn to measure your breath
before you speak.
To gather apologies like loose change
in the pockets of your ribs.
They say love should build you up –
but this “love” carves you down.
Peels back your voice
until all that’s left
is a small frightened thing
that lives behind your eyes.
Nobody sees the teeth marks he left in your head –
the way your confidence limps around
like a three-legged dog.
Still wagging its tail for him.
Some wounds don’t bleed out.
They just hollow you out from within.
—
Another solitary night.
Just me.
The same cup, the same cheap coffee.
The TV always on, belching white noise
to fill the silence.
And the phone sits there on the table,
like a drunk on a barstool,
saying nothing.
Always nothing.
Before you know it,
you’ve been scrolling,
watching,
stalking –
they’re all the same thing –
for hours.
Faces, smiles,
a parade of manufactured bliss:
engagement rings,
pregnancy announcements,
public displays of affection.
They’ve got it, you see?
The other half.
That soft landing.
A warm body next to theirs
when the lights go out.
You evade sleep,
wondering why you don’t deserve the same.
The bed,
a vast empty ocean,
and the waves just keep coming.
A reminder.
A dull, persistent ache in your chest.
It’s not envy.
Not really.
It’s just…
the knowing.
The cold, hard fact
that some people don’t get the happy ending
they always dreamed of.
They just watch the parade pass by.
From the sidelines.
Alone.
Always alone.
Intro to Two Poems
(for Eurydice Tsatsali / @evryd1ki)
These poems are basement-level. No windows. Just brick, damp air, and the sound of someone trying not to cry too loudly. They don’t want to be read. They want to be left alone. But if you do read them, you’ll realise the house has a voice. And it’s been whispering your name since page one.
Denial
How?
Decay.
When?
Foreseen.
Where?
Illuminated signs falling.
What?
Blinded.
What?
The gift.
Where?
Blinded.
When?
In the pain of others.
How?
Shaking.
What?
The earth can’t hold me.
Where?
Alone.
When?
Till you came.
How?
Alone.
What?
Until.
Where?
You.
When?
Left.
How?
—
Für Melische
I love to love
Been born a lover
To remain a loner
Deep eyes
Searching
Hungry hands
Aching
Heart yearning
For times I do not exist.
Had to be raised on a battlefield
To harvest love
The darkness
Wasn’t nurturing
And the light
wasn’t our God
The lover’s power lies
In combining the above—